Basically only telling you about the cafe because I think it’s so wonderful. If you’re ever in that part of the midlands, you should take the (fairly steep) hike to make it up there. They serve *great* food, and by way of water they simply give you a glass and redirect you to the natural spring in the entranceway (fairly unhygienic, but I’m honestly not fussed by that, and easily overcome by the novelty of it all!)

The place initially arose around this spring, and came to middling-fame for the waters’ supposed curative properties. Now it’s just a great place to ramble to, and from, with tiered gardens and seating, and the genuine feeling you’ve left the bustle behind, and found something a bit special. I got a little romantically carried away – blossoms were snowing around us from the wild dandelions of the surrounding hills, I was drinking water that spewed from a natural spring and into a huge marble bowl, sat 200 miles away from London. The cafe wasn’t even on foursquare until I went and spoiled that (still not mayor though – somebody local will presumably get that priviledge).

The cafe is under threat of losing its license though, and so should you know of it, or simply be the petition type, do please sign up at their petition.

On the train back to the big smoke now, but cured of enough stress to actually relish the busy-ness that inevitably creeps in at every corner of London’s angular life. Bit of a weird blog post I suppose. But it’ll come in useful on that one day you accidentally step off the train in Malvern and need to find something interesting to do with the two hours til the next train…

It was an awesome day in London Fields, and a couple of houses around there too. Coffee and croissants galore to keep the crew going – and it was shot on a mixture of the RED cam (awesome!) and a Canon 5D. The ‘chorus’ were genuinely lovely throughout, and the directors (Bee and Livi from Punchdrunk) were brilliant.

Just last month we (rockfeedback) also recorded a session with Johnny Flynn not so long ago. One of the videos (the title track, ‘Been Listening’) is doing the rounds on the net at the moment:

Let me know what you think!

Mumford and Sons at a hoe-down in an out-of-town barn...

When I first came to university (and to London) I started writing for rockfeedback.com – it was a window into the wider music industry, to have CDs posted to me, merely for the benefit of me having a public opinion on them. Writing about music was something that slipped away more and more, and not for any Zappa/Costello/Steve Martin-quoting disdain, but simply because actively filming music and writing/performing music often took over, both in time and attention.

In any case, from time to time I’ll be writing column-pieces or reviews for rockfeedback, and as-and-when I do I’ll cross post them here. I just wrote my first ‘blog’ for them, on the idea of ‘the perfect gig‘, from which my editor (alongside a very odd picture of myself) chose to redact my article to:

“bands should only play awesome shows. i think it’s probably that simple. there’s too much music happening anyway…” – click here to read the whole thing.

Anyhow, only a few months after I’d started running the TV side of things for Rockfeedback I got an email from Simon over at Bella Union (you can read his blog at the link) saying that a few of his bands were in town, and would we like to do something. Chatting it through in the office, I flippantly suggested that we film them at the London Eye. The following day I followed up my flippancy with an email. And two weeks later we took all four bands, one-by-one, into a pod on the London Eye, and filmed the proceedings therein.

It was definitely a lesson to me about how relaxed and easy even a comlicated shoot like this one can be, and about a hundred moralistic sentiments (“you don’t get unless you ask”, “there’s no such thing as a stupid idea”, “don’t speak or you’ll be held to what you say” etc etc). It was also *awesome*. We heard songs from and chatted to The Low Anthem, My Latest Novel, Ohbijou and The Acorn. I also learned a neat trick with a couple of mobile phones, courtesy of The Low Anthem, which they show off in beautiful style too. The vid is just below, you’ll spot my mobile phone, and also my Martin guitar, which three of the bands borrowed for their sessions…

I thought it’d be good to drop a couple of links in here so you could see what I’ve been up to. Obvious bias towards the two bands from the lineup I’ve booked so far! The sessions are every Thursday between 6 and 7pm, just by the Eurostar terminal, inside the station itself. This Thursday sees another IKTOMS acts coming down, in 6 Day Riot – if you happen to be passing by it’s worth dropping in on a free show in one of the odder spaces in London!

Matthew and the Atlas

Ed Sheeran

For more on Ed Sheeran or Matthew and the Atlas click on the links on their names just there… both great acts. Ed and I sat down before the session, and figured out that of the OVER ONE THOUSAND GIGS that he’s done since 15, I’ve put on a full 2% of them, including his first ever show. Sweet.

We spend most of our time, before the act arrives, perfecting minute details. We’re contstantly reshuffling the lights, taping down mic leads, testing room mics, blacking out signs, identifying sources of hums… and then the artist arrives, and the same starts again but down to the tiniest of adjustments on camera positions and light intensity.

After that the session is over before you realise. They play three or four songs, and then we sit them down for what is normally a deep and meaningful (we hope!) conversation about their music, what music is, why it is, where it’s going, yadda yadda…

Anyhow, I’m off to collect the lights, but in the meantime here’s something equally special, made for Nina by somebody else (a very talented someone else) – I love how you never see anybody but Nina actually providing their addition to the song….

Will try to get the Nina session up here once done…

Kev x

It was a huge learning curve, and a huge amount of fun – people remember it fondly even now, and I’d like to think it was a part of bringing together some people who still remain good friends now.

In any case, when my parents mentioned that they’d really enjoyed the IKTOMS gigs I used to run in London, and would have loved to have one on in Cornwall (where they live), I quickly found myself working out a way to get down there and do it. And we’ll be doing exactly that this weekend… myself, Fiona Bevan, Kal Lavelle and Stephen Long are hopping into a rental van and driving to the South-West, where the intention is to sun ourselves in some Cornish coves, write some new songs, and to play a concert on the Saturday night at Wringford Down. I really can’t wait! It’s been a long time since I allowed myself a weekend of free-spirited creativity, so very much looking forward to it.

If you’re not in or around Cornwall this weekend (and I suppose the likelihood is that you’re not) then all four of us will be bringing the show back to Kal’s own night, WE LOVE SUNDAYS, at the World’s End pub in Finsbury Park (not the one in Camden!) on the 9th May, so join us there! If you live further afield then we’re just going to have to up our game… and I’m feeling up for occasional challenges – name your city, town or hamlet and we’ll plan a new IKTOMS tour…

I’ll attempt to post some songs up here when we get back – we’ll be recording the show.

Over and out…

Basically I thought they looked ace, and chopped them all up, then put them in a randomiser at the top of the page. Realised today I’d never said where they came from, and credit should always, always, be due.

We did an interview with him for the rockfeedback ‘Real Talk’ section, expect it here soon. In the meantime, this video makes about as much sense as the man himself:

What’s been confusing me is the reaction to those voices. People seem to be fine with women either having softly-softly vocals, throaty whispers, delicate breaking high notes etc… or to be ‘out-there’ and zany with the vocal potential (see Bjork, Bat For Lashes etc). The idea of a straight-up powerful female voice seems to be linked, for a majority of listeners, with some kind of 80s power-rock, or with OTT country music. That, or it’s just unsettling.

The closest to having awe-inspiring vocal organs, used in a relatively straightforward, non-quirky, non-delicate way that I can think of (until these last two gigs, that is) has been Florence and the Machine, in recent years. She’s obviously courting the quirky as an act, but not so much on the vocals front – there it’s just straight up ‘lungs’.

I guss I don’t want to delve too deeply into gender-politics on this one (I’ve not even touched on Beth Ditto, Karen O etc), and I’m not even sure I’ve got a point beyond this:

Lissie and Music Go Music have both been incredible gigs.

Music Go Music takes the prize for sheer incredulity of vocal prowess, but the common theme for myself between the two of them was the simplicity of the approach – “I’ve got an awesome voice, would you like to hear it?”. Held in check when it should be, unleashed with a piercing clarity at just the right moments. No warbles. No rasp. No breaking or whispering.

I really liked it, but found myself defending both bands after the shows. Accusations of cheesiness. Dismissals of it all being ‘too much’ or ‘all about the vocals’.

Maybe so – but they were both *sodding awesome* vocalists. Well worth checking out – even if just to tell me I’m wrong.

ps – Lissie is a true-to-life hippie, and sings country songs – don’t go there if that’s going to offend you

pps – Music Go Music, on a similar note, sound like Florence and the Machine being redone by Abba covering Fleetwood Mac by way of Journey, plus some. Again, no apologies if that’s not your basket – but I wouldn’t have assumed it was mine.

ppps – postscriptums and “band name bears other band name’s bastard child” journo tags are both great fun!